ROYAL ACADEMY SUMMER EXHIBITION 2015
The Duchess of Cornwall ascends to the Royal Academy Annual Dinner via Jim Lambie's central staircase, Photo: Thomas Alexander/Royal Academy/PA |
The different colours push and pull against each other. Steps appear to advance and recede before our very eyes. Rev Dr Richard Davey wrote in his introductory essay in the Exhibition catalogue A Masterclass in Looking: ‘the colours appear to ripple and breathe from side to side. pushing at the walls and balustrades like waves breaking on a shore'.
“While you are walking, the art
underfoot is both a dance floor and the music itself “.
Adrian
Searle, Guardian 2003
So you enter the main building of the Royal Academy and are faced with treading on this insubstantial shifting world of colour. We may be used to stepping on tessellated floors in churches and mosques, but nothing prepares us for this. The zigzagged, edged rings of concentric colours lead us step by step into the exhibition.When we get to the top we discover that Michael Craig-Martin, who co-ordinated the show, has also transformed parts of the building: we are surrounded by walls painted an intense buttercup yellow. Beyond that, art in the octagonal Wohl Central Hall hangs on a vivid turquoise background, the Lecture Room is a spacious airy light blue, and Gallery III 'has been brought to life with an electric magenta that animates without overwhelming the paintings hung on the wall' ( Richard Davey)
'Sometimes when you dig for meaning you end up in a hole.
The answer, I suspect, is to simply relax about it all Adrian Searle, Guardian 2003
The answer, I suspect, is to simply relax about it all Adrian Searle, Guardian 2003
generationartscotland.org/artists/jim-lambie/
www.facebook.com/royalacademy/videos/10153219384077415/ for sense of shifting movment
www.michaelcraigmartin.co.uk/
www.youtube.com/watch?v=Pbiu7U_UN6s for more about Richard Davey
www.theguardian.com/profile/adriansearle
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